Where the filmsget made.
A working studio in West Haven, Connecticut. Edit bays, equipment, a training room — and an open door for the creators we mentor.
Our editing station — and where clients see it first.
The Gray Room is where every project comes together. It's an edit suite, a screening space, and a client room — designed for long sessions, sharp color, and honest reactions.
Wall-mounted reference display for reviews and client screenings.
Secondary color-accurate monitor on the edit desk.
Ultra-wide edit display for timeline and node work.
48GB unified memory · 2TB SSD — primary edit station.
Large-format touch display for client walkthroughs and notes.
Where we shoot.
A dedicated space for portraits, interviews, product work, and controlled narrative shoots. Full lighting grid, seamless backdrops, sound-treated for clean dialogue, and enough real estate to build a proper set.
Checked out, checked in
A working kit room.
Sony FX30 · Nikon ZR · Panasonic Lumix S1 II. Sony FX3 joining the kit soon.
A full range of primes and zooms — cinema and stills glass for every focal length we need.
32-bit float recorders, shotgun mics, and lavalier kits. Clean dialogue, always.
Aputure 600B & 1200B, Amaran 25C, Nanlite 500 & 300 — with diffusion, V-flats, and modifiers.
Plus a full grip package — stands, flags, sandbags, cables, and every small thing that keeps a set moving. If it's not on the shelf, we know where to get it.
The
Sanctuary.
Every wall is a memory. A mural by New Haven artist Rouse wraps the room — Spike, Ava, Coogler; Boyz n the Hood, Menace, Shottas, Paid in Full, The Great Debaters. The faces we studied. The films that raised us.
It's where we decompress between takes, screen rough cuts, and remember why we picked up a camera in the first place. You walk in and the room reminds you: this lineage is the assignment.
Mural · Rouse · New Haven, CT